Blog · Studio notes
— Studio notes··8 min read

The agency newsletter: why we send one, what’s in it, and how AI helps us ship it weekly

Joona Heinonen· Choco Media · Rovaniemi

We started sending a weekly agency newsletter because we got tired of explaining what we actually do. Prospects would land on our site, read the services pages, and still not quite understand how Choco Media operates day-to-day. The newsletter fixed that faster than any homepage rewrite we’d tried. The agency newsletter is now one of the few channels we touch every single week without fail — and AI helps us ship it consistently without it taking a full day.

This post is a behind-the-scenes look at our format, what goes into each issue, and where AI does the heavy lifting versus where we keep a human hand on the wheel. If you’re running a small agency and wondering whether a newsletter is worth the effort, we hope this gives you a concrete answer — and a workflow you can borrow.

Why a weekly agency newsletter at all?

The honest answer is that a newsletter earns attention in a way that social posts don’t. Someone who opens your email every week is telling you something. They’re signalling interest before they’re ready to buy, which means when they do need an agency, you’re already in the room.

For a small team in Rovaniemi, the newsletter competes differently than it would for a London agency with a massive organic presence. We don’t outspend anyone on paid reach. But we can show up in an inbox reliably, write something useful, and let that consistency do the positioning work over months.

There’s also a compounding content benefit. Every newsletter issue becomes a pool of ideas for longer posts, social content, and client talking points. The newsletter doesn’t exist in isolation — it feeds the rest of the content production workflow.

What’s actually in each issue

We’ve tried several formats and landed on one that’s short enough to write, specific enough to be useful, and personal enough to feel like it’s from a real team rather than a content machine.

The structure we use

This structure takes about 45 minutes to write from scratch. With AI in the workflow, it takes closer to 20.

The AI/human split: where each belongs

This is the part most people ask about, so we’ll be direct.

What AI handles

We use AI for the drafting layer. Specifically:

The input to the AI is always a human note. We don’t ask it to come up with the idea — we ask it to render the idea clearly. That distinction keeps the newsletter sounding like us rather than like a generic content service.

What stays human

The observation itself always comes from someone on the team. It has to be grounded in something real — a client campaign result, a tool test, a conversation we had, something that happened this week. We don’t allow fabricated case studies or invented insights.

The subject line decision is also human. AI gives us options; someone picks the one that fits the week’s tone. If the observation is more serious, we don’t use a clever subject line. If it’s light, we might. That judgment doesn’t belong to a model.

The sign-off is always written by hand. One sentence. No template.

The fastest way to make your agency newsletter sound like a press release is to let AI write the opening line without any input. Give it a single honest sentence from your week, and the output changes completely.

The tooling we actually use

We keep this simple on purpose. The more tools in a workflow, the more friction there is to showing up every week.

Drafting and editing

We draft in a plain text editor first — no formatting distractions. The rough notes go into our AI drafting prompt, which is a short template we built once and have refined about five times since. The output comes back in our voice roughly 70% of the time. The other 30% needs a light edit to fix overly formal phrasing or generic transitions.

We looked at Beehiiv and Substack. Both are good products. We stayed with Mailchimp because the list was already there and migrating wasn’t worth the time.

The editorial brief template

This is the document we fill in before writing anything. It has four fields:

  1. This week’s observation — one or two sentences in rough language. What happened? What did we notice?
  2. The practical thing — what’s the one actionable point? Who is it for?
  3. Tone this week — short instruction: “direct, slightly dry” or “warmer, client-facing” or “brief, we’re in a sprint”
  4. The pointer — link or source we want to include

Filling in this brief takes five minutes. Handing it to AI with a prompt that says “write our weekly agency newsletter using this brief and the voice below” gets us a working draft in under a minute. This is the AI workflow in practice — not magic, just a structured handoff.

Subject lines: the part that actually determines open rate

We’ve tested a lot of approaches. Here’s what’s worked for our list, which skews toward founders and marketing leads at small-to-mid businesses:

What’s never worked: subject lines that sound like blog post titles. The inbox is a different environment than a search results page. The subject line is a promise from a person, not a keyword.

AI helps us generate six options quickly. We pick one, sometimes edit it, and move on. The whole process takes two minutes.

Scheduling and consistency: the only metric that matters early on

In the first six months, the only metric we tracked was whether we sent it every week. Open rate, click rate, list growth — all of those come later and all of them depend on showing up first.

We use a simple Friday deadline. The brief is drafted on Wednesday or Thursday. AI draft comes back same day. Light edit Thursday or Friday morning. Send Friday afternoon Helsinki time, which lands at a reasonable hour for our Finnish and European readers.

The AI workflow has meant we’ve missed the deadline exactly twice in eight months. Both times were during unusual weeks (one client crisis, one team illness). Without AI in the loop, we estimate we’d have skipped four or five issues by now, and each missed week is harder to recover from than people expect.

Consistency is a moat. It’s unglamorous and it takes longer to pay off than anyone wants. But for a small agency building an owned audience, it’s the most reliable thing we’ve found.

What we’d change if we were starting now

A few things we’d do differently with the benefit of hindsight:

Should your agency have a newsletter?

If you have something specific to say — something grounded in your actual work, your actual clients, your actual opinions about the industry — yes. A newsletter is one of the few owned channels where that kind of specificity actually gets rewarded.

If you don’t have that yet, starting a newsletter won’t create it. The tool doesn’t generate the perspective. Spend time figuring out what your agency actually believes and what it’s actually seeing before you commit to a weekly send.

For us, the newsletter works because we have a point of view: AI should reduce production friction without replacing the human judgment that makes marketing work. That’s something we can write about every week because it shows up in the work every week.

If you’re thinking about a newsletter and want a second opinion on your format or workflow, we’re happy to take a look.

— Work with Choco Media

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